In recent years，the popularity of the harem-drama，like Empresses in the Palace，Nirvana in Fire，Legend of Mi Yueand so on，have became an important event of the contemporary Chinese popular culture. Through the perspective of cultural sociology on the harem-drama，it will provide a new perspective for understanding contemporary China. From the narrative content，there are the two characters of the family resemblance of the desire and tactics from the harem-drama，and in which the utopia of emotion or family-nation has been constructed reversely in a negated way. From the perspective to the popular culture，the harem-drama ingratiates itself with the capital and the mass，the utopia reconstructed represents the nihility both in the actual and the spiritual life from the contemporary China due to the homogeneous narrative model as well as the meticulous and horrible narrative style. Therefore，in the aspect of the cultural politics，the utopia from the harem-drama provides the substituted suppositional reality to the people，and offers the fancied satisfaction in the aspects of the politics and sexuality，and lacks the ability and the motivation to constructing the potential progressive community in the field of the the publicness of politics.