1990年上映的电影《父子老爷车》以“痛打日商”的形式唤起观众对日军侵华的创伤记忆,强化国民的民族认同,构建了中华民族既坚决捍卫国家尊严,又爱好和平的国家形象。另一方面,该片已经意识到,在建构改革开放的国家形象过程中,商品经济和消费文化的发展正在给抗战记忆带来伦理上的危机,而《父子老爷车》自身的喜剧题裁也内在地消解了抗战创伤叙事应该具有的沉重感和严肃性。以这部电影为中心,解读文化场域中各种话语对抗战记忆的表述,有助于厘清抗战叙事中相互冲抵的力量,为讲述好这段创伤史提供启示。
<<The comedy film Father and Son's Car(1990)tries to construct a national image of dignity and peace by means of reawaking the memory of Japanese military invasion into China in the audience's mind. On the other hand,the film shows a crisis for the memory due to the influences of commercialization and consumerism. Furthermore,the form of comedy for the film also has a negative influence on the narration of traumatic memory. A further inquiry into representations of the traumatic memory about Japanese invasion in the cultural field will expose the conflicting forces in them and help us consider how to tell this traumatic history in the construction of national image.
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