本文致力于以德国当代文化政策转型和欧盟叙事构建的新模式为契机探讨文化政策对社会和政治的影响。本文始于一种观察:传统理论认为政治共同体的成功在于它提供了一种社会的共同身份建构,而欧盟并无传统理论假设的叙事“尽头”。这似与当代德国文化政策的某些逻辑有某种相通之处。20世纪70年代末的新文化政策带来了由被动向主动的转型,个体公民首次以主要行动者的身份出现,并通过文化活动积极参与社会空间的构建。如今,这种新机制已从社会的微观和中观层面向上渗透,开始在宏观层面上获得政治表达。本文认为,德国在欧盟的“领导”作用,并不仅仅与其经济实力的领先有关。本文也试图展示,这是一个由文化过渡到政治实力的范例。
<<The European Union as a successful political community in transnational form with growing impact draws attention beyond academic sides. It is confirmed that beyond organizational institutions a political community needs also a set of narratives which usually points to “an ultimate road” in the future. Noticeable enough is that until now,neither does EU have narrative of ultimatality,nor does it based merely on the economic globalization and handover of the politics to a higher power from national states,which the traditional theory would assume.
The second part traces the time back to the 1970s,when “Cultural Politic as Social Politic” came into being in Germany. A trend of culturalization of the society and the socialization of culture went through. Cultural construction of living community,i.e.,the cities,influences and changes the political discourses. Competence for active construction from the “bottom” is highlighted. The traditional borderlines between politics,society and culture go blurring. A new form of narrative appears.
The third part endeavors to explain it through the theory of social mechanism and process tracing. Recent researches on multiplicity of mechanism have shown that cultural and institutional processes institutionalize themselves and transform to each other.
By linking the time together,this paper affords not only an innovative perspective for EU-research and cultural science,but also a theoretical interdisciplinary contribution both to political and social science.
<<Keywords: | EUGermanyCultural Policy |