对于“中国民族民间舞”这一学科来说,发生于20世纪40年代的“边疆音乐舞蹈大会”既是一个真实的历史事件,也是一种独特的记忆建构。作为典型案例,关于“边疆音乐舞蹈大会”的记忆建构集中凸显了特定历史事件的记忆在形塑过程中所存在的记忆类型与记忆策略,以及这些策略如何在群体观念转型、变革期产生独特的稳定性与绵延性功能。与此同时,“中国民族民间舞”作为当代中国独特的文化记忆形式,清晰地呈现出文化记忆构建的内在权力机制。
<<The article based on the collective memory of the discipline,“Chinese Ethnic and Folk Dance”,which construct the specific memory about “The Performance of Music and Dance from Frontier and Minorities of China”happened on 1940s.As an example,it provides an approach to the types and strategies of memory construction,and shows the function of stability and continuation of collective memories,especially in a transition period of collective notions or principles of practice.Furthermore,it reveals the power mechanism of cultural memory represented by “Chinese Ethnic and Folk Dance”in contemporary China.
<<Keywords: | Cultural MemoryPower MechanismMusic and Dance From Frontier and MinoritiesChinese Ethnic and Folk Dance |