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谢伏瞻
    中国社会科学院学部委员,学部主席团主席,研究员,博士生导师。历任中国社会科学院院长、党组书记,国务院发展中心副主... 详情>>
蔡 昉
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李培林
    男,汉族,出生于1955年5月,山东济南人,博士,研究员,全国人民代表大会社会建设委员会副主任委员,中国社会科学... 详情>>

    文化时论三题

    摘要

    在当下的社会经济发展中,“互联网+”的发展路径已成为一条“大道”,许多文化工作者也提出并深研“文化+”的发展路径。当前文化建设的“+”发展,一个重要的前提是从“小文化”走向“大文化”,从“文化小众”走向“文化大众”,这个意义上的“+”发展是文化视野的拓展和文化领域的掘进,意味着文化内容呈现要借力新技术和新媒体,同时还要考虑“可持续”的协调发展和“可镜鉴”的开放发展,要在继承发展的基础上实现多方位、多层次、多样化的“集成发展”。为了实现舞台演艺“集成创新”的有效性,我们的文艺创作需要强化自主意识、跨界意识、协同意识、整合意识四种意识。探索“长江流域舞蹈高等教育的平台建设与协同创新”,对于我们探讨“面向未来的中国舞蹈高等教育”具有战略意义。相对于既往的“制式教育”来说,“长江流域舞蹈高等教育”理念的提出具有“在地化”的色彩,但它又具有一定的“整合性”,同时还具有“一体三段”的特征。

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    Abstract

    Under the current social and economic development,the “Internet Plus” has become a common road for development and many cultural workers have put forward and explore the development model “Culture Plus”. A major requirement is the transition from the micro culture to macro culture,from private culture to public culture. In this sense the plus development represents the expansion of the cultural division and large stride of the cultural industry,which means that new technology and new media are the great forces. Meanwhile sustainable development and open development worth modeling should be taken into account. We need to realize a multi-dimensional,multi-level,and diversified integrated development in an inherited manner. In order to make the collective innovation of stage performing more efficient,we should intensify four kinds of awarenesses:independent awareness,cross-boundary awareness,cooperative consciousness,and integrated awareness. To explore the platform construction and cooperation innovation of dance education in colleges and universities in Yangtze River regions is of strategic importance to explore the high education of Chinese dancing art oriented towards future. On the contrary to the formal education,the concept of “advanced dancing art education in Yangtze River” is put forward with the characteristics of local region but also the characters of integration and three segments in one body like the river including upstream,midstream,and downstream.

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    作者简介
    于平:于平,博士,南京艺术学院舞蹈学院院长,北京大学、武汉大学国家文化创新研究中心兼职教授,博士生导师,主要研究艺术史及其理论、文化政策。
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