2015年传统舞蹈的保护工作在政府的主导下继续推进,在各方的努力下取得了诸多的成绩,但也存在问题和偏差。就保护理念而言,反复提及的“原生态舞蹈”保护仍然值得商榷与反思,笔者尝试从文化生态视角对“原生态舞蹈”进行概念阐释和案例解构,认为从商业展演到非遗保护,“原生态舞蹈”都是文化重构与再生产的过程和结果,同时存在思想僵化、虚无主义与市场裹挟等不良倾向。传统舞蹈保护必须摒弃故步自封“原生态舞蹈”的观念,厘清非遗保护的边界与对象,加快文化生态保护区建设,树立可持续发展的文化生态观,尊重非遗主体的文化情感,构建由本土居民、当地政府、非政府社会组织等为生态项的非遗保护生态系统。
<<In 2015,the government went on promoting traditional dance protection in the efforts of all parties and had made a lot of achievemeuts. But there are some problems exist,the concept of protection for example. The protection of “original ecological dance” as repeatedly mentioned is still worth thinking. The paper deconstructs the concept from the explanation and the case of “original ecological dance” from the perspective of cultural ecology,to think that from the commercial performances to intangible heritage protection,the “original ecological dance” is the process and result of culture processing,transplantation and reconstruction of cultural reproduction. At the same time,it exists unhealthy tendencies such as nihilism,conservatism and market coercion. The traditional dance heritage protection must abandon the conservative idea of “original ecological dance”,further clarify the protection object and the boundary,establish a sustainable ecological concept,construct a cultural ecological pattern,and pay attention to the dynamic balance between the community residents’ subjectivity,local government management and social organization guidance.
<<Keywords: | Intangible Cultural HeritageCultural EcologyTraditional DanceCulture ReproductionThe Original Ecological Dance |