本文将工人文化宫作为20世纪社会主义城市文化空间的集中个案,尝试从空间社会史的角度切入对文化空间、阶级形成、社会主义工业化和日常生活关系的理解。论文检视了中国工人文化宫的苏联起源、文化政策安排、与其功能性相关的城市日常生活经验、矛盾及其转型等,进而探讨这一空间社会史路径对于中国城市和劳工研究的理论潜能。
<<Cultural transformation is central to class formation. By culture,which in this paper is related to “worker’s cultural palace”,a particular materialized cultural space for urban working-class being built across the Mao era,we understand the distinctive ways of expressing,articulating,and reproducing everyday life that are essential to the class identity and class consciousness of China’s working-class. This paper analyzes worker’s cultural palaces built in the 20th Century,with examinations of the physical space,the transformative history from Maoist to Reform and opening up era,and the workers cultural practices therein. Empirical data are gathered through repeated site visits,interviews with palace staffs,participant observation in workers’ cultural group activities,and documentary. Theoretically,this paper tries to develop a more refined historical-comparative framework,which offers a revision for the theoretical articulation among cultural space,socialistic industrialization,and class formation in China.
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