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谢伏瞻
    中国社会科学院学部委员,学部主席团主席,研究员,博士生导师。历任中国社会科学院院长、党组书记,国务院发展中心副主... 详情>>
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李培林
    男,汉族,出生于1955年5月,山东济南人,博士,研究员,全国人民代表大会社会建设委员会副主任委员,中国社会科学... 详情>>

    国有文化资产管理体制建构的政策含义与策略选择

    摘要

    经营性文化事业单位转企改制的完成,使文化领域的资本运作方式发生了不同于事业体制的新变。加强国有文化资产管理,建立国有文化资产管理体制,对当代中国具有特殊的政策含义。作为独立于国有资产管理体制的国有文化资产管理体制,具有与国有资产管理相似的共通性原则目标,也有立足于文化行业本体属性的相异的特殊性政策目标。基于国资委模式的经验和文化行业的特殊性政策要求,形成“四管合一”、部门联动和“三层次”管理体系的宏观架构,以“文资办”为中心重新厘清相关文化部门的职权关系,是国有文化资产管理体制建构的基本策略。 <<
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    Abstract

    The successful transformation of for-profit cultural enterprises changes the way of capital operation in the field of culture that is different from the traditional institution. To strengthen the management of the state-owned cultural assets and set up the management system of the state-owned cultural assets has a special policy implications for China. As a management system of the state-owned cultural assets that is independent from state-owned assets management system,it has some general principles and objectives with state assets management,but also has its special policies and objectives that based on the ontological property of cultural industry. Constructing the macro system of ‘the four managements in one’,departmental interaction,‘Three level’ management system,and re-clarifying the authority relationship of the related cultural department around the ‘State-owned Cultural Assets Management Office’ are the basic path and direction for the construction of state-owned cultural assets management system. <<
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    作者简介
    陈庚:陈庚,武汉大学国家文化创新研究中心讲师,博士后,主要从事文化产业、公共文化事业及文化财政等领域的研究。
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