The rise and development of Beijing’s artistic industry are closely associated with the flaneurs in contemporary Beijing，whose pioneer is a class of artistic called“MangLiu”appeared from 1980s. In the early 1990s，those people started their“First Fleeing”from the center of Beijing to the areas around Yuan Ming Yuan，where they finally developed a so called“Yuan Ming Yuan Village”，in which persistence and pursuing coexisted. All these had prepared the ground for Beijing’s artistic industry. Then in 1994，the artists group，expelled by urban space regulation，began their“Second Fleeing”from“Yuan Ming Yuan Village”to the suburbs of Beijing，generating plenty of artistic industrial zones，and resulting in the rise of Beijing’s artistic industry. In the town，from 1994 the rising of modern tourism represented by the“Hutong Tour”had bred mass of tourist-flaneurs，who had been，as well as the artistic industrial zones outside the town，brought into the logic of urban regulation because of their indulgence in the shocking experience regarding the city. Since the New Century，the rebounding against urban space regulation has provoked rich Spatial Politics in Beijing，and the public shift of urban artistic industry is becoming increasingly clear.