2020年,在新冠肺炎疫情面前,中国民众上下同心,不仅控制了疫情蔓延,还完成了脱贫攻坚的任务,实现全面建成小康社会的百年奋斗目标。在这一年,传统戏剧的保护实践和理论探讨围绕“守正创新”主题进一步深化和拓展。保护实践在继承艺术传统、探索艺术创新、加强专业人才培养、推进行业整体性保护等方面做出努力;理论探讨从戏曲史、剧种史、艺术体系建构等诸多角度深入,进行学术反思、调整和完善,其中“戏曲现代化”问题受到热议。在明确“守正创新”的总体发展思路基础上,传统戏剧尚需在以下方面寻求突破:厘清非遗语境中“传统戏剧”与“戏曲”概念的适用范围;重建地方戏的乡村文化生态,真正做到“还戏于民”;丰富、探索传统戏剧的传播途径和展演方式。
<<In 2020,Chinese people worked together on anti-pandemic,completed the task of poverty alleviation,and realized the goal of building a moderately prosperous society in all respects. In this year,around the theme of inheritance and innovation,the practice and theoretical discussion of traditional opera were further deepened and expanded. Practice makes efforts in inheriting artistic tradition,exploring artistic innovation,strengthening professional talent training and promoting the overall protection of the industry;The theoretical discussion has carried out academic reflection,adjustment and improvement from the perspectives of opera’s history,opera’s types and art system construction,among which the issue of opera’s modernization has been hotly discussed. On the basis of clarifying the overall development idea of inheritance and innovation,traditional opera still needs to seek breakthroughs in the following aspects:clarify the scope of application of the concepts of chuantong xiju and xiqu in the context of intangible cultural heritage;Rebuild the rural cultural ecology of local opera and truly return the opera to the people;Enrich and explore the communication channels and performance methods of traditional opera.
<<Keywords: | Inheritance and InnovationAnti-pandemic and Poverty AlleviationOpera’s ModernizationRural Cultural EcologyImmersive Opera |