2020年10月16~18日,《朗读者》(第三季)在北京、武汉、厦门三地开展了72小时不间断的慢直播活动,央视综合频道亦于12月20日呈现出先导衍生节目《一平方米》。在媒介深度融合背景下,作为央视的现象级文化类综艺节目,《朗读者》此次的升级回归足见诚意及新意:首先是节目形态的大幅变革,其次是继承了“访谈与朗读”结合的程式,最重要的是突出对个体与时代、文本与生命、情感与情怀三组共振关系的侧写。本文借对《一平方米》的个案分析,探讨央视首例“小屏内容反哺大屏”节目的制作经验,并尝试对文化类综艺发展前景进行预测。
<<From October 16th to 18th,2020,The Reader Ⅲ carried out a 72-hour uninterrupted slow live broadcast in Beijing,Wuhan,and Xiamen. The CCTV integrated channel also showed its essence on December 20 Version of the program One Centare. Under the background of the deep fusion of media,as a phenomenon-level cultural variety show of CCTV,the upgrade of The Reader Ⅲ shows the sincerity and creativity. Based on the case analysis of One Centare,this study explores the characteristic experience of the first new media feedback TV program of CCTV,and tries to predict the prospects of cultural variety shows.
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