纪录片《我在故宫六百年》讲述了六百年来历代匠人如何对故宫进行修缮与日常保养,使其丹宸永固、代代相传的故事。作为2020年的重点纪录片,《我在故宫六百年》深受观众喜爱。通过对本片的创作过程、制作观念、主题创新、传播效果的考察,我们可以发现制作团队的年轻化、观众审美趣味的新变化、新媒体的传播范式以及“多维传播矩阵”的传播策略,为传统文化题材的纪录片拍摄提出了新的要求和挑战。
<<The documentary Maters in the Forbidden City tells the story of how the artisans of the past 600 years have repaired and maintained the Forbidden City to make it permanent and handed down from generation to generation. As a key documentary in 2020,Maters in the Forbidden City was deeply loved by the audience. Through the investigation of the documantary’s creation process,production concept,theme innovation,and dissemination effect,we can find that the younger generation of the production team,the new changes in the aesthetic tastes of the audience,the communication paradigm of new media and the communication strategy of “multi-dimensional communication matrix” have put forward new requirements and challenges for the filming of traditional cultural documentaries.
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