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谢伏瞻
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李培林
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    2019年中国传统戏剧类非遗保护发展报告

    摘要

    2019年我国传统戏剧保护不断深入,在创新性传承和创造性转化方面取得新的进展。保护概况表现为:顶层思路重视,施策精准到位;戏剧展演形式多样,更加注重实效;传统戏剧的学校教育不断完善,有待加强;学术研究蓬勃发展,非遗语境下的传统戏剧研究尚待加强。2019年是传统戏剧与新媒体热情拥抱的一年,传统戏剧与新媒体融合的同时,应该以传统戏剧传承人为本位,确保戏曲遗产的文化生命力。传统戏剧遗产保护是一项系统工程,在与非遗保护同向共行的同时,有着自身的特点:近些年国际上反全球化思潮涌起,种族主义和地方主义思想抬头,在反思全球化带来的负面影响的同时,应该继续推进人类命运共同体理念的人民共识和国际影响,加强传统戏剧的文化交流。传统戏剧的保护和发展有了政府的扶持、社会的关注,更需要自我反思、自强不息,传统戏剧人才培养是关键。在非遗语境下,仍须推进剧种的调查与研究。最后,呼吁进一步加强网络空间治理,为传统戏剧的保护与发展提供一个清明的网络生态环境。

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    Abstract

    In 2019,the protection of Chinese traditional opera was continued to deepen,and new progress was made in innovative inheritance and creative transformation. The general situation of the protection was as follows:the top-level thinking is attached importance to,and the implementation of strategies is accurate and in place;the forms of performance are diverse,and more attention is paid to the actual effect;the school education of traditional opera is constantly improved,and needs to be strengthened;the academic research of traditional opera is booming,and the research in the context of intangible cultural heritage needs to be strengthened. 2019 is a year for traditional opera and new media to embrace each other. While traditional opera and new media are integrated,it should be based on opera inheritors to ensure the cultural vitality of the heritage of traditional opera. The protection of traditional opera’s heritage is a systematic project,which has its own characteristics:in recent years,the international trend of anti globalization is surging up,racism and localism are rising. While reflecting on the negative impact of globalization,we should continue to promote the international consensus and influence of the concept of community of human destiny,and strengthen the cultural exchange of Chinese traditional opera. With the support and attention,traditional drama need more self reflection and continuous self-improvement,and the cultivation of opera talents is the key. In the context of intangible cultural heritage,it is still necessary to promote the investigation and research of the types of opera. Finally,it calls for further strengthening the governance of cyberspace to provide a clear network ecological environment for traditional opera.

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    作者简介
    倪彩霞:倪彩霞,广东湛江人,文学博士,中山大学中国非物质文化遗产研究中心、中文系副教授,研究方向:中国戏剧史、非物质文化遗产学。
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