综观2017年的中国纪录片,政策红利进一步催生市场红利,市场主体更加多元;互联网和电影院线作为一种平台和创新驱动力量已经真正发力,并已初见效益;中国纪录片在国际传播、政治传播领域的传播力和影响力得到进一步验证;在类型化、话语创新、营销创新、跨界探索等方面,中国纪录片取得进一步成果,并逐步走出“叫好不叫座”的困局,其大众文化产品属性进一步增强,中国纪录片的“公众时代”已然到来。本报告调查中央及省级电视机构纪录片的生产、传播、营销状况,新媒体纪录片的运营策略、内容形态、传播与收视、收入来源等情况。同时,针对北京纪实、上海纪实、凤凰卫视、爱奇艺、腾讯视频、优酷视频、知了青年等不同的纪录片制播渠道进行深入的调研,并对纪录片衍生品的市场价值及营销策略进行分析,尽可能描绘出中国纪录片产业的整体状况。
<<Throughout Chinese documentaries industry in 2017,policy dividends have further spawned market dividends;market players have become more diverse;the Internet and cinema lines as a platform and innovation-driven force have really exerted their power and have begun to see benefits;and Chinese documentaries in the field of international communication,political communication and influence has been further strengthened. In the aspects of typification,discourse innovation,marketing innovation,cross-border exploration,Chinese documentaries have made further achievements,and gradually changed the dilemma of “hawking and hawking”,and their attributes of popular cultural products have been further strengthened. The “public era” of Chinese documentaries has arrived.
This report investigates the production,dissemination and marketing,operational strategies of documentaries by central and provincial TV institutions and new media documentaries. At the same time,in-depth research has been carried out on different documentary production and broadcasting channels,such as Beijing documentary,Shanghai documentary,Phoenix Satellite TV,iQiYi,Tencent video,Youku video and so on,and the market value and marketing strategy analysis of documentary derivatives has been added. This report try to depict the overall situation of China’s documentary industry as far as possible.
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