The Modern Kungfu Heroes in Hong Kong films and teleplays，such as Huo Yuanjia，Chen Zhen，Huang Feihong and Ye Wen，have been broadly communicating in mainland China since 1980s，which have constituted a significant image pedigree.And this prosperous image pedigree refracts the zigzag ways of historical identification and cultural observation between Hong Kong and mainland China on one hand，and on the other hand，it also reflects the structure of feeling and the collective unawareness of different phrases in the forty years' Reform and Open in mainland China.