本文着眼于类型作品的比较研究,以墨西哥出品、号称“拉丁美洲第一部功夫片”的《中国伙计》为样本,解读该影片在美学意义上与几部成功的中国功夫类型作品所形成的差异。通过分析墨西哥影片里的所谓中国元素以及它和华语此类型片所共有的三主题——师承、武器和历史背景,来分析这些影片中不同故事背景下对英雄含义诠释的异同,并且,通过对它们叙事模式的美学探讨,揭示功夫类型作品与读者(观众)审美交流的过程和该过程对其叙事模式的影响。
<<This paper focuses on the comparative study of genre works. Taking the “Chinese Guys” produced in Mexico and known as “the first martial arts film in Latin America” as the sample,the paper interprets the differences in the aesthetic sense between this film and several popular Chinese martial arts genre works. Through the analysis of the so-called Chinese elements in the Mexican film and the three shared themes in this film and similar Chinese ones-transmission from master to disciple,weapons,and historical background,the paper analyzes the similarities and differences in interpretations of heroes from the different stories. Through aesthetically exploring the narrative mode,it reveals the aesthetic communication process between the kung fu works and readers(viewers)and the influence of the process on its narrative pattern.
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