本文主要对在未来人工智能的介入下可能出现的数字化剪辑师进行研究。文章认为未来数字化剪辑师的出现是人工智能在视听语言领域的集中表现。从应用的理性层面来说,由于人类社会的信息化进入了图文时代,大量素材需要剪辑成片,这种智能剪辑是基于对视听语言深刻理解以及艺术创作的基础上,并非自动化所能替代,因此人工智能的介入有着极为重要的意义;从实施的合理性层面来说,文章通过构建影像的基本离散单元(肖似代码层面)以及面向对象的视听语言(组合段层面),探讨视听语言的数据结构,从而使得人工智能的介入成为可能。此外文章通过数字化导演的研究,对于视听语言以及影视理论也产生积极的推进作用。
<<The thesis is mainly about the study of digital director which is based upon the intervene of AI in the future.The thesis do believe that the digital director is AI's performance in the area of audio-visual language which itself is main body of film theory.From a rational perspective of application,a large amount of raw visual material need to be edited,since we enter into era of videography,and such intelligent editing is based upon the deeply understanding of audio-visual language and the framework of art,it can not and should not be substituted by automation,hence the intervene of AI has its significance;from a requirement of reasonableness,the thesis discuss the data structure of audio-visual language via construct a basic unit of videography and a object-oriented audio-visual language,and therefore make the possibility of AI's intervene.In addition,the thesis promote the development of audio-visual language and film theory via the study of digital director.
<<