新锐词人曾峥近年来的词作,深受西方小说与电影叙事影响,其叙事的时间与空间变化错综。如《念奴娇·你的故乡》颠覆了传统词叙事常规叙述手法,通过频繁的时空转换,营造出空幻迷离的词境。其相关词作大量运用蒙太奇、长镜头等电影语言,在画面陡切中,不仅实现空间转移,而且同时完成时间穿越,不仅刻画不同时间的人处于同一空间,也刻画不同空间的人在同一时间范围内活动。他的词作,一般不对这种转换与穿越做出明确交代和铺垫,偶尔也注意运用“转场”效果。这类大量地借助电影元素来完成其叙事过程的“后现代城市词”,与其说是用来“阅读”的,不如说是用来“观看”的。进入这类词作营造的词境,必须还原其画面,通过分析画面组合方式,方能厘清其叙事脉络。
<<Zengzheng,a new contemporary poet,deeply influenced by western narrative style in literatures and films elaborated the complication and variation of space and time shifting in his recent work. Taking YOUR HOMETOWN —TO THE TUNE OF NIANNUJIAO as an example,he overthrew the traditional narrative tactics and employed techniques of time and space shifting frequently,which can create a psychedelic and visionary effect. He also used the film elements such as Montage and length shot to realize shifts of time and space in his poetry which could not only bring the people of different time to the same space,but also bring the activities of people in different space to the same time scale. Generally,he would not give an explicit foreshadow or explanation for the shift;he just occasionally enjoyed its effect. Post-modernism urban poetry,borrowed plenty of film elements to complete its narration,is “to be watched” rather than “to be read”. In order to understand the context and clarify the narrative trace,researchers have to reconstruct and combine those pictures by themselves.
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